Participants: Margaret Hamilton, Marva Antoine, Clive Lyttle, Margaret Shweeiay 
Lina Jungergarbo
Summary of discussion, conclusions and/or recommendations: 
Centre of Excellence for the carnival art form 
Including all the elements of carnival e.g. 
steel pan. calypso, DJ music costume performance and performance space 
•	Production and construction
•	Multi media and design   
•	Catering accommodation resource and archives, exhibition space 
•	Training and conference room  
Opportunities 
•	Employment 
•	Business opportunities 
•	Training working with specialist artists
•	Supporting social and cultural aspects
How would we be different? 
•	Practitioner lead
•	Working on Major commissioning project 
•	Community involvement
•	Create employment opportunity for the required skills sector   
•	Manage key events local or international 
•	Identify it as a business so it becomes sustainable
•	Collaboration of art forms 
Prove the case
•	Getting support for the specialise artists to deliver their art form with capacity
•	Building an elite partnership of specialise artist to achieve excellence  
•	London has a long history of carnival arts, from its cosmopolitan makeup to continue to develop its art form regionally and internationally 
•	Access the location for 300+ art organisations
•	Rising the standards 
•	Meeting the needs of other future carnivals, festivals, large scale events and celebration events  
Conclusion: 
To give the specialist artists the resources to produce excellence, innovative project to create employment and enhance the visitor’s economy and increase mass participation
Recommendation:
Create space for specialise carnival artists and its art forms within a world class creation centre 
 
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